Thu, 9 March 2017
When New York’s Metropolitan Museum of Art opened Jerusalem 1000-1400: Every People Under Heaven, the exhibit was greeted with tremendous fanfare. It dazzled the eyes and summoned a seductive image of medieval Jerusalem as an exciting hub of diverse cultures and religions. But is this picture of the Holy City true to history? Or was the Met trafficking in myths that anchor multicultural hopes for Jerusalem’s future in a fictitious past? Did the Met help its visitors see Jerusalem as it was, or as the exhibit’s architects wish it to be?
In “Jerusalem Syndrome at the Met,” published in Mosaic soon after the close of the exhibit, Wall Street Journal Critic at Large Edward Rothstein debunks Jerusalem 1000-1400’s fictions. He shows that the exhibit’s sumptuous beauty was actually founded on historically tendentious apologetics.