Wed, 29 May 2019
New York’s legendary Jewish Museum was founded by the Jewish Theological Seminary (JTS) in 1904 with just 26 objects. When it opened to the public in 1947, JTS Chancellor Louis Finkelstein told the New York Times that he hoped the museum’s artifacts would celebrate “the singular beauty of Jewish life, as ordained in the laws of Moses, developed in the Talmud, and embellished in tradition.” Though the museum grew and changed over the decades, its commitment to this fundamentally Jewish—even religious—mission never completely disappeared, even as it waxed and waned.
But the museum’s new permanent exhibition—titled Scenes from the Collection—couldn’t be farther from realizing Chancellor Finklelstein’s ambition. Filled largely with nostalgic kitsch, the exhibit does little more than flatter the shallowest of contemporary cultural prejudices about Jews in Judaism. In Mosaic’s May Essay, Menachem Wecker reviews the exhibit and shows us how and why it went wrong.
This week, Wecker joins the Tikvah Podcast to discuss his essay. He reflects on Finkelstein’s hopes for the Jewish Museum, explains what a great exhibition can accomplish, and details why Scenes from the Collection is such a wasted opportunity.
Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble as well as “Shining Through the Rain” by Big Score Audio.